Becoming
Music | Feature film / Dir. Zhannat Alshanova
Music | Feature film / Dir. Zhannat Alshanova
Music | Feature documentary / Dir. Jussi Rastas & Jenni Kivistö
Music | Feature film / Dir. Josefiina Rautiainen
Music | TV-series / Yellow Films & TV
Music | Documentary feature / Dir. Elina Hyvärinen
Sound Design | Fulldome film / Dir. Markku Laine
Music | Collection Album
Music | Collection Album
Music | Video Game / Lead dev: Benjamin Rose
Music | Short film / Dir. Topi Raulo
Music | Short film / Dir. Siiri Halko
Music | Short film / Dir. Arman Zafari
Music | Short film / Dir. Fabian Munsterhjelm
Music | Dance Short Film / Dir. Tero Peltoniemi.
Music | Short film / Dir. Roosa Vuokkola
Music | Short film / Dir. Veikko Timonen
Music | Documentary / Dir. Ada Johnsson & Siiri Halko
Music | Short film / Dir. Oscar Ramos
Music | Short film / Dir. Annie Kane
Music | Short film / Dir. Santtu Salminen
Music | Dance and architecture film / Dir. David Jakob
Music | Short film / Dir. Fabian Munsterhjelm
Music | Short-form comedy / Dir. Santtu Salminen
Music | Short film / Dir. Ida Olva
Music | Short film / Dir. Elisa Kujala
Music | Short film / Dir. Max Ovaska
Music | Short film / Dir. Siiri Halko
Emil Sana is a half-French, half-Finnish composer, producer, and sound artist currently based between Finland, Belgium and France.
He has scored multiple fiction and documentary feature films in Finland, France, and the US such as Silent Legacy (dir. Jussi Rastas & Jenni Kivistö) and Becoming (dir. Zhannat Alshanova), both premiering at the Locarno Film Festival 2025 and the Jussi-award nominated How To Shout (dir. Josefiina Rautiainen).
He has composed the soundtracks to many award-winning short films featured in major international festivals and competitions (BAFTA student awards shortlist, Student Academy Awards Finalist, Jussi Awards Nominee...) and for which he has received several awards for the original music (Best Original Score at SEVIFF, Special Mention for Best Original Score at MCM, Best Original Score nomination in Prague Film Festival)
Keen on exploring creative limitations, inventive sonic palettes, and conceptual approaches to scoring, Sana continually seeks new composition methods and processes that make each project unique. Alongside his work in film, he creates sound and music for a wide range of audiovisual works and medias (games, sound-art installations…), and produces and writes in collaborative projects across genres—from art-pop to jazz fusion and neoclassical.